MUSIC
IN WHOLE
Music is important to fashion and to our Creative Director,
Gozi. Music is an integral part of Nigerian life. Visit Lagos and music
permeates the city. It seeps out of every cranny of this boisterous city. In
this post, we take you on a journey of Nigerian music, giving you a taste of
its creativity and range with video clips of amazing live performances from
pioneering Jazz, Highlife, Jùjú, Afrobeat, Reggae, and Afrobeats artists. These
styles are enjoyed by Nigerian audiences and now globally.
HISTORY OF MUSIC IN NIGERIA
Earlier in history, traditional Nigerian music arose from a
functional purpose, often performed to mark rituals like weddings or funerals.
Agriculture was functional too. Consequently, workers in fields and canoes used
work songs to motivate themselves. When Northern farmers worked on each other’s
farms, the host was expected to supply musicians. The musician sang praises of
his client and the rest of the co-operating farmers motivating them.
YORUBA
Yorubas traditionally used music for socio-cultural
expression. Musicians played at all sorts of social and formal events. Popular
instruments used by the Yorubas are hourglass tension drums (dundun), and
kettledrums (gudugudu).
IGBO
In south-eastern Nigeria, the Igbos used music for
celebrations, sports, leisure, and importantly by historians, to recount
stories to others. The Igbo people play various folk instruments such as
Zithers (obo), lutes, flutes, xylophones, lyres, slit drums, and udus. These
instruments played an important role in the development of Nigerian Highlife.
HAUSA
The most notable instrument of the Hausa people is the
Kakaki, a 2-metre long trumpet. It is a symbol of military power, important to
those who value conquest. Originally used by the Songhai military, it was
adopted by the rising Hausa state who dominated the western Sahel.
Over the course of
the 20th century, Nigerians travelled abroad and returned home with multiple
influences. Subsequently, they created Nigerian iterations of western genres,
or new genres altogether. Music increasingly fused with politics and religion.
People enjoyed and created music for artistic actualization or simply
recreation.
The
Past: Genres of Nigerian Music Jùjú
By the 1920s, Yoruba music incorporated brass instruments,
Islamic percussion and Brazilian techniques. Baba Tunde King pioneered the Jùjú
style in the 1930s. In Yoruba, jùjú refers to something being thrown.
Significantly, a member of Tunde King’s band would usually throw his tambourine
in the air as part of the performance. Post World War II, Tunde Nightingale
incorporated westernized pop influences into Jùjú through his S’o wa mbe style.
His style became popular among socialites as it included room for praising
guests at social parties. S’o wa mbe (Is it there?) is also possibly a double
entendre to the beads his dancers wore on their hips.
As technology advanced in the 1950s, Jùjú music incorporated
the electric guitar, accordion, and gangan talking drum. King Sunny Ade is
recognized as the pioneer of electro music in Nigeria. His band played with a
phalanx of electric guitars, synthesizers, and vibraphones, which created his
unique sound. He became the first Nigerian to receive a Grammy Award nomination
in 1983 for his album Syncro System. Today, artists like Keziah Jones make
music influenced by this era of Yoruba music, which includes Sakara, Fuji and
Apala..
HIGHLIFE IN NIGERIA
Nigerians fell in love with
Highlife when Ghanaian performers dominated the social scene and
nightclubs. Ghanaians highlife often recounted daily social struggles. In
contrast, Nigerian highlife, with its mundane themes, was feel-good music.
Recorded and played live, the best spots to consume highlife were in clubs that
had a mix of Ghanaian and Nigerian performers. Bobby Benson & The
Cassandra Theatrical Party were the first popular Nigerian highlife band. But
the most popular highlife song ever is ‘Sweet Mother’ by Prince Nico Mbarga.
Every Nigerian knows this song.
If
you love highlife, explore performers such as Victor Olaiya, Stephen Osita
Osadebe, Oliver De Coque, Sonny Okosun, Victor Uwaifo, and Orlando “Dr.
Ganja” Owoh, who kept highlife alive post civil-war.
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JAZZ
IN NIGERIA Jazz started getting a strong
foothold in Lagos in 1963, through the Fela Ransome-Kuti Quintet. The band
played regularly on Monday nights at the Cool Cats Inn, which was a popular
location for Jazz enthusiasts.The popularity of the Quintet inspired many
musicians including the all-star group, The Jazz Preachers, led by Art
Alade. The Jazz Preachers played mainstream music compared to the Fela
Ransome-Kuti Quintet but they were just as entertaining. Fela’s band changed
its name to Koola Lobitos. |
In the 1970s, Jazz 38 was a
hotspot and became the most important jazz hub in the country. The Extended
Family Jazz Band of Frances and Tunde Kuboye were the resident musicians.
Artists such as Ginger Baker and James Brown visited Lagos to jam with Nigerian
musicians. or to tour. Till today, the debate still rages on about who stole from who between Fela and
Brown.










